Tampilkan postingan dengan label artist. Tampilkan semua postingan
Tampilkan postingan dengan label artist. Tampilkan semua postingan

Rabu, 23 Maret 2011

how to hide a dent... use 6 sharpie markers and a lot of drawing ability



Steve, thanks man! This is a geat piece of art to share, and reading through the source forum, inpsired a lot of people who would like the same on their car.
to see the whole gallery, from plain hood to art piece, http://retrorides.proboards.com/index.cgi?board=general&action=display&thread=100612
if that gives you an error message go to
then click on General Board it is the 4th thread down,
then click on the 15th thread down, the "Draw on my Bonnet"

Senin, 17 Januari 2011

Magnificent Storytelling Illustrations


Israeli-born illustrator Tomer Hanuka creates incredibly interesting scenes. His stories are told not just by the expressions on his characters' faces but by the beautiful colors he chooses and the mysterious shadows he casts. His passion for drawing emerged at a young age, when he fell in love with American comic books. He found them "mysterious and majestic, an unreachable light in a faraway land, and more beautiful and exciting than anything around."

His client list includes prestigious newspapers and magazines like Time, The New Yorker, Spin, The New York Times, and Rolling Stone. He has won multiple gold medals from the Society of Illustrators and the Society of Publication designers, and was showcased in Print magazine and American Illustration. 

"This is about storytelling; it's creating drama, not unlike a movie director, but frozen in a single moment," Hanuka said.







"An illustrator might find it hard to get a gig in a magazine, but can design wallpapers, set up an e-shop, and print on-demand through another vendor. It's a crazy, huge thing that's starting to change the industry in a truly profound way," says Hanuka.

For those just starting out, what advice would Hanuka give?

He tells us, "if you draw purely for money, you'll discover soon enough you weren't paid enough. Illustration is a commercial field, but you have to be invested in the work on some personal level. Make sure this connection stays alive. it's the easy choice: you'll enjoy the work AND end up becoming better, i.e making more money in the long run."



Senin, 30 Agustus 2010

Heart Tattoo





Tattoo on heart? I mean, literary ON your heart. 
Yes, no more bullshits, flowers or empty words, this is the new was of expressing your love, extremely.
A website offer to do this kind of tattoo; it says that this way is dangerous but it'll be worst if you don't express your love.

The process need more or less 3 hours, for about $9000-$1200 depends on the complexity of the design itself. You'll be given a photo and a video recording plus the sound track of "Vikunja" to enshire the operation moment.

About a divorce? They've though about it, they'll give you a special discount if you can proof your couple cheated you. On some condition, they'll recommend you to re-tattoo your old one with the new one.

Senin, 14 Juni 2010

Paullung and His Pencil





pencil drawings by Paul Lung

It’s hard to belive but all these beautiful pictures are not photos but pencil drawings. The author of such unbelievable art is 38-year-old graphic artist from Hong Kong Paul Lung. 0.5 mm technical pencil and A2 paper are the only attributes of these masterpieces. He doesn’t use eraser and spends up to 60 hours sketching out his pictures. As he often admits people do not belive him and he has to make videos of his work to prove that these art works are not photographs. Check thesebeautiful artworks by yourself.

pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung
pencil drawings by Paul Lung





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Jumat, 26 Februari 2010

A Piece of paper



A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper


A Single Sheet of Paper

 
Peter Callesen:
My paper works have been based around an exploration of the relationship between two and three dimensionality. I find this materialization of a flat piece of paper into a 3D form almost a magic process - or maybe one could call it obvious magic, because the process is obvious and the figures still stick to their origin, without the possibility of escaping. In that sense there is also an aspect of something tragic in most of the cuts. Some of the small paper cuts relate to a universe of fairy tales and romanticism, as for instance Impenetrable Castle inspired by Hans Christian Andersen's fairy tale The Steadfast Tin Soldier, in which a tin soldier falls in love with a paper ballerina, living in a paper castle. Other paper cuts are small dramas in which small figures are lost within and threatened by the huge powerful nature. Others again are turning the inside out, or letting the front and the back of the paper meet - dealing with impossibility, illusions, and reflections.

I find the A4 sheet of paper interesting to work with, because it is probably the most common and consumed media and format for carrying information today, and in that sense it is something very loaded. This means that we rarely notice the actual materiality of the A4 paper. By removing all the information and starting from scratch using the blank white 80gsm A4 paper as a base for my creations, I feel that I have found a material which we all are able to relate to, and at the same time is non-loaded and neutral and therefore easier to fill with different meanings. The thin white paper also gives the paper sculptures a fragility which underlines the tragic and romantic theme of the works.







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